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Synopsis:
Death is not a topic that’s often discussed, but it’s an inevitable reality of every human life. Without a strong support system, those facing this crisis of existence may find themselves feeling lost and overwhelmed - struggling to find the light.
During this period of intense vulnerability, palliative care provides medical, financial, and emotional support for the individuals affected and all who are close to them. Care for the spirit in particular is important to sustain hope during this long journey.
In our open call, we received over 800 poetry submissions about mortality from people living all across the Asia Pacific. In this collection, we gather and present the best 111 entries in 11 languages, translated into English to reach as wide an audience as possible. We hope this anthology provides a sense of comfort, connection and catharsis for everyone involved in the palliative care journey.
About the editors:
JOSHUA IP is the Singapore Literature Prize-winning author of two volumes of poetry from Math Paper Press: making love with scrabble tiles (2013) and sonnets from the singlish (2012). He won the Golden Point Award for Prose in 2013 and was runner-up for poetry in 2011. He has co-edited two poetry anthologies: A Luxury We Cannot Afford (2014) and SingPoW- riMo 2014: The Anthology (2014) and is working on his first graphic novel, Ten Stories Below. He organized the inaugural Singapore Poetry Writing Month in 2014, and the first Singapore Manuscript Bootcamp in 2015.
RAJITA JAYANTHAKUMAR is an English teacher who has worked across Australia and Singapore, teaching literature, poetry and textual interpretation. She has performed spoken word poetry in Singapore, including at the Esplanade for National Day. She also regularly competes in short story writing competitions organised by the Australian Writers Centre, in alignment with her passion for fiction and creative writing. An avid reader of poetry and fiction, she would rarely turn down the opportunity to sip a cappuccino while burying her nose in a good mystery novel.
ZARIS AZIRA is a freelance content writer, copyeditor, and full-time arts manager at Sing Lit Station. Her articles have appeared in DesignTaxi, Business Insider, and various websites under Times Publishing Limited. Her non-fiction piece ‘Love you forever, Nan’ was published in Grandmother’s Garden and Other Stories, an anthology about dementia published by Hachisu in 2012. In her spare time, she writes poetry and dreams of ways to honour her late mother and grandmother, both of whom passed away after experiencing the benefits of palliative care.
In 2025, Sing Lit Station partnered with the Singapore After-Care Association (SACA) and the Singapore Prison Service to conduct a series of 12 creative writing workshops led by poet ArunDitha. Through these sessions, 30 inmate participants explored poetry as a means of reflection, healing, and self-expression.
This 52-page A4 zine brings together their original poems and artwork, sharing honest reflections on their experiences and hopes for the future.
Poetry, 62 pages
Published by Layl Ash-Shayr, 2024
In this inaugural anthology, Singapore Muslim writers explore moments of discovery, contemplation, stillness, and even chaos. Get comfortable in your box seat as the curtains part. and transport you to experience life's many turns in various scenes on stage.
"Here you'll find confessional poetry, lyrical spoken word verses, expansive thought experiments, and more, all in the service of speaking beatific truths that are hardly given a platform in Singapore. Explore the profound metaphors of Kaif's "Fid Dunya Wal", take an emotional multi-national adventure in Noor Iskandar's sprawling head and heart space in the moving "A Lump In The Throat" or revel in life's joyous uncertainties in Ameera Aslam's beautiful "Unexpected". It's an enjoyable read at the very least, but it's also a good entry to the people whose voices are powerful reflections of the Malay/Muslim/Malay-Muslim truths."
— Suffian Hakim, author of Harris bin Potter and the Stoned Philosopher (2015), The Minorities (2017), and The Keepers of Stories (2021)
About the editors, Layl Ash-Shayr:
Laili Abdeen (Co-Founder and Head of Outreach, Layl Ash-Shayr): When she’s not procrastinating her writing or marking essays, Laili enjoys untangling worlds through poetry and falling in love with the craftsmanship of words, one lyric at a time. She was featured as a panellist in Singapore Writers Festival 2022 and was longlisted for the 2023 Sing Lit Station Manuscript Bootcamp (Poetry). She has also published her poetry in Mahogany Journal’s third edition, "Soundscapes" and the upcoming fifth edition, "Rojak". At the moment, she is pursuing her Master’s in English, writing her thesis on contemporary Muslim literature.
Zubaidah Dadlani (Co-Founder and Head of Marketing, Layl Ash-Shayr): Zubaidah’s writing career probably began some 15 years ago, with acrostic poems scrawled on birthday cards and fanfiction written on old exercise books. She holds a Bachelor’s in Biological Sciences with a Minor in Creative Writing, was shortlisted for Singapore Poetry Festival’s Catharsis (2020 & 2024), and has experience as a blog writer, editor, and medical writer. She is currently a part-time English tutor, freelance writer, and a full-time adventurer. (She jests – most of her free time is spent horizontal).
Nursarah Safari (Head of Operations, Layl Ash-Shayr): Sarah is a passionate ponderer of words and worlds. In all the time she spends in her head, she is grateful but clueless how she ended up here. Don’t let this stop you from asking her about it: when she is not mentally dancing with words, she is often down for a good conversation. She writes poems for survival and works as a literature and English teacher to get by.
Poem from EKE, by Wahidah Tambee (Gaudy Boy, 2025). Letterpress Printed.
Limited edition of 50, numbered by hand.
Size: A4 (210x297mm).
Colour: One spot colour (black), single sided.
Paper stock: 320gsm Freelife Vellum Bright White.
(Close-up product photo is a sample, and does not reflect the actual poem text.)
Poem from EKE, by Wahidah Tambee (Gaudy Boy, 2025). Letterpress Printed.
Limited edition of 50, numbered by hand.
Size: A4 (210x297mm).
Colour: One spot colour (black), single sided.
Paper stock: 320gsm Freelife Vellum Bright White.
(Close-up product photo is a sample, and does not reflect the actual poem text.)
Poem from EKE, by Wahidah Tambee (Gaudy Boy, 2025). Letterpress Printed.
Limited edition of 50, numbered by hand.
Size: A4 (210x297mm).
Colour: One spot colour (black), single sided.
Paper stock: 320gsm Freelife Vellum Bright White.
(Close-up product photo is a sample, and does not reflect the actual poem text.)
Poem from EKE, by Wahidah Tambee (Gaudy Boy, 2025). Letterpress Printed.
Limited edition of 50, numbered by hand.
Size: A4 (210x297mm).
Colour: One spot colour (black), single sided.
Paper stock: 320gsm Freelife Vellum Bright White.
(Close-up product photo is a sample, and does not reflect the actual poem text.)
Poem from EKE, by Wahidah Tambee (Gaudy Boy, 2025). Letterpress Printed.
Limited edition of 50, numbered by hand.
Size: A4 (210x297mm).
Colour: One spot colour (black), single sided.
Paper stock: 320gsm Freelife Vellum Bright White.
SING LIT STATION
proudly presents
OUR BASIC TEE
Made out of 100% cotton, our Basic Tee has been said to be so soft and comfy you can sleep in it. That's a pretty dang good testimonial right there.
Our Basic Tee comes with our logo silkscreened over where your heart is. It's basically (haha) our plan to subliminally pledge your loyalty and devotion to our organisation. Get your SLS Basic Tee today!
__________
SIZE GUIDE
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COLOUR:
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Sing Lit Station is a registered charity and Institution of Public Character (IPC). Our vision is to be a platform where readers and writers can meet.
Our core mission is to serve the local literary community of writers and readers, through:
creating a space for writers to grow their artistic and professional lives;
inviting readers to explore our literary culture;
working with many partners to build inclusive and dynamic communities.
Sing Lit Station’s flagship programmes include our workshop-for-schools programme Book A Writer, our community challenge / writing forum SingPoWriMo, our annual Manuscript Bootcamp, our online archive poetry.sg and our publishing arm AFTERIMAGE.
As a physical space, Sing Lit Station serves as a writer’s centre – an abode for literary creation. We extend support via the Jalan Besar Fellowship programme and host masterclasses from visiting writers to give literary workers a space to create and showcase themselves. We also pioneer peer-led workshop groups as a model for literary growth, hosting monthly peer-run writing groups consisting of practicing and aspiring writers, migrant workers, queer folk and more, and more facilitated communities such as Writing The City. We also rent out office and events space, with discounts for creatives; please contact us to learn about our rates.
As an organisation, we are supported by the National Arts Council under the Major Company Scheme for the period from 1 April 2022 to 31 March 2025. We receive further financial support from the Cultural Matching Fund, the Arts Fund, the Speak Good English Movement, The Majurity Trust, and the Buy SingLit campaign for our programmes, but we are sustained also by donations from a community of generous arts patrons. Do consider supporting us today.
Sing Lit Station was co-founded by Joshua Ip, Daryl Qilin Yam and Jon Gresham and began operations in Jul 2016. Our present achievements are built on the past contributions of countless full-timers, part-timers, volunteers and interns past and present.
Our Office
Address:
22 Dickson Road
#02-01
Singapore, 209506
Singapore
Office Number:
+65-69093504
Visiting Hours:
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Weekends, appointment only
Poetry, 104 pages
Published 7 February 2026
Synopsis:
Love, Echoing On is a mother-son compilation of works, featuring Sanjay C Kuttan’s odes to his wife, and Rosaly Puthucheary’s revisitation of “Dance On His Doorstep”, her book-length sequence of cantos first published more than 30 years ago.
Love, Echoing On is a poetic dialogue between Rosaly Puthucheary and Sanjay C Kuttan, mother and son. Across two distinct but intertwined voices, the collection explores how love endures, transforms, and reverberates across generations. Through echo and response, each poem becomes both offering and reflection, an act of listening as much as speaking. What emerges is two writers meeting in language to contemplate tenderness, inheritance, and the quiet ways affection survives time.
About the Authors:
Sanjay C Kuttan (b. 1964) was born in Johor Baru, Malaysia. He moved to Singapore in 1980, where he studied at St Joseph’s Institution, and went on to complete his PhD in Pharmacology at the National University of Singapore in 1992. He spent much of his working life in the energy and maritime industries, under the employment of ExxonMobil, McKinsey & Company, Nanyang Technological University, the Energy Market Authority (Singapore), the Singapore Maritime Institute, and the Global Centre for Maritime Decarbonisation. He now consults under his own advisory, Kai Gaia International Advisory.
He is also the author of the poetry collections Where Fires Rage (2010), In One Breath—an anthology of pseudohaiku (2021), Under the Spell of Flickering Lights (2022) and Quilted Sails—an anthology of four voyaging poets (2023), co-authored with Roslina Chai, Dinesh Senan and Kirpal Singh. His work has been published in journals such as Men Matters Online Journal and Borderless Journal, and anthologies such as Places and Spaces (2024) and Balik Kampung 3C (2016). His mother is the writer Rosaly Puthucheary.
A Singaporean with roots in Johor Baru, Rosaly Puthucheary (b. 1936) started teaching in Malaysia in 1957. She came to Singapore to teach after graduating from University of Singapore in 1973. She went on to teach English Literature in many schools in Singapore, and finally taught in Anglo-Chinese Junior College from 1984 to 2001 before retiring. She then pursued her doctorate and was conferred a Doctor of Philosophy from the National University of Singapore in 2006.
Rosaly Puthucheary writes widely across poetry and prose, including volumes of memoir and criticism. Her earliest titles include Pillow Your Dreams (1978), The Fragmented Ego (1978) and Dance on His Doorstep (1992); her most recent titles include The Call to Poetry: Poems from Pre-independence Singapore (2021), My Father’s Untold Story (2021), and rib/cage: ALLTHETIME 01 (2025), a folio of poetry co-authored with ArunDitha and Zeha.
Also from Rosaly Puthucheary, discover rib/cage: ALLTHETIME 01